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Set in the Oklahoma home of Violet Weston for most of the run-time, the characters are simply allowed to blossom and mold in front of our eyes. Although I enjoyed the first film more, I still found parts of “The Hobbit: The Desolation of Smaug” quite enjoyable, eventually what will make this like “The Lord Of The Rings”, in which together as a whole, they will make an amazing trilogy, but separately, they will falter.ĪUGUST: OSAGE COUNTY // Not surprisingly adapted from a stage play by Tracy Letts, who also pens the screenplay, “August: Osage County” is a character piece if ever there was one. With most of the book out of the way, we can only expect that most of the third film will be climax, and epilogue, along with the conclusion to Gandalf’s tale in Dol Guldur. Other great bits of the film include Luke Evans as Bard and the spectacular down river barrel ride that had me laughing hysterically.
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Kudos to the CGI team and Benedict Cumberbatch in bringing to life this monstrous dragon, who lives up to everything you dream him to be from the book and can only truly be experienced in full form on the big screen. Martin Freeman, Ian McKellen, and the entire dwarf company continues their solid turns, especially with Freeman as Bilbo, who continues to grab hold of this role and make it his own, bringing out much of the humor in the film, without being blatant, especially when facing the sleeping dragon, Smaug. She and Legolas (Orlando Bloom) make a nice team and with Bloom in play, makes for some great foreshadowing of what’s to come in “The Lord Of The Rings” tales, besides Legolas taking on a complete character change in this prequel. And by the time the film is coming to its conclusion there are so many different storylines and so much cutting between them that all suspense and sometimes understanding of the plots, are lost in the constant cut.Īll is not lost, however, as the addition of character Tauriel (Evangeline Lilly) is a nice addition, connecting the elven world to that of the dwarves with a love triangle. Where a simple introduction of the already established character Elvenking Thranduil (Lee Pace) could have been handled within seconds becomes a much more labored delivery. So many camera shots and action sequences feel extraneous in “Desolation”, creating that strong sense of filler, whereas a sequence could easily be handled in a few minutes, now becomes ten to twenty minutes. Not to say “The Desolation Of Smaug” isn’t a great film, because it most definitely is, it simply does not pack the epic punch that first film contained. Tolkien into three films and now we know, by padding the second (and most likely the third) film with enough filler to give it the girth of an almost three-hour long adventure. We all wondered how Jackson would make this short children’s story by J.R.R.

As ever with this series, the shocks are cheap but effective, and the shaky-cam aesthetic adds an unsettling layer of realism (if you’re willing to overlook the innate ridiculousness of the film-everything concept).But the plot is a confusing, derivative mishmash of half-baked supernatural clichés, and the total absence of characterisation makes it hard to care what happens.THE HOBBIT: THE DESOLATION OF SMAUG // Where Peter Jackson had a distinct vision and fleshed out story with an appropriate ending point in “The Hobbit: An Unexpected Journey”, he somewhat loses that vision with the sequel, “The Hobbit: The Desolation of Smaug”. It’s not long before Jesse begins exhibiting strange behaviour, forcing Hector to conclude that his friend has been ‘marked’ by the local witch. Set in California, it’s the tale of high-schoolers Jesse (Andrew Jacobs) and Hector (Jorge Diaz), whose post-graduation summer of drinking, smoking weed and filming everything in sight is rudely interrupted by spooky goings-on in the apartment downstairs.
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Less a straight sequel and more a thematic companion piece (albeit one crammed with callbacks to the first four ‘Paranormal’ flicks), ‘The Marked Ones’ sees this now venerable found-footage franchise looking to crack America’s ever-growing Hispanic market.
